​This series is a meditation on the interplay between form, light, and space on Naoshima Island, inspired by Tadao Ando’s architectural simplicity and the boundless landscapes it inhabits.

 

Ando’s structures do not impose themselves but instead dissolve into their surroundings, creating spaces that feel timeless—simultaneously grounded and ethereal.

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Guided by Jorge Luis Borges’ reflection on infinity—*“if the future and the past are infinite, there cannot really be a when; neither can there be a where”—*these photographs attempt to capture the elusive, in-between moments where architecture transcends its materiality and becomes an idea, a feeling, a pause.

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Through this series, I explore the infinite within the finite, the tension between the man-made and the organic, and the way shadows and light sculpt meaning out of silence. These images are not merely records of a place; they are fragments of a labyrinth without beginning or end—an invitation to step beyond the tangible and contemplate the eternal.